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Thursday, February 14, 2019

F3PR: Olivia Wilde to receive CinemaCon Breakthrough Director of the Year Award

Film Flam Flummox

PRESS RELEASE

CinemaCon

OLIVIA WILDE TO RECEIVE
CINEMACON® BREAKTHROUGH DIRECTOR
OF THE YEAR AWARD

Wilde's directorial debut Booksmart to be released
by United Artists Releasing on May 24, 2019

WASHINGTON D.C. (February 14, 2019) – Olivia Wilde will receive this year’s “CinemaCon® Breakthrough Director of the Year Award.” Mitch Neuhauser, Managing Director of CinemaCon, announced the award today. CinemaCon, the official convention of NATO, will be held April 1-4, 2019 at Caesars Palace in Las Vegas. Wilde will be presented with this special honor at the “CinemaCon Big Screen Achievement Awards” ceremony taking place on the evening of Thursday, April 4, at The Colosseum at Caesars Palace, hosted by the Coca-Cola Company, the official presenting sponsor of CinemaCon.

“With a dedication to telling stories that need to be heard, Olivia Wilde is bringing her voice to the big screen in her own way with Booksmart,” noted Neuhauser. “Bringing a new perspective to the mind of young women; audiences across the globe are sure to be entertained by this brilliant directorial debut.”

Wilde’s directorial debut Booksmart starring Kaitlyn Dever and Beanie Feldstein will be released on May 24, 2019 by United Artists Releasing. Told from a wildly original, fresh and modern perspective, Booksmart is an unfiltered comedy about high school friendships and the bonds we create that last a lifetime. Booksmart is produced by Annapurna and Gloria Sanchez, the female-focused production banner wing of Gary Sanchez Productions.

Recognized as one of Variety’s Directors to Watch this year, the director, producer, actress and activist has entertained audiences in film, television and Broadway. Recently, she produced and starred in A Vigilante as a secretive figure that rids victims of their domestic abusers. The film will be released in theaters on March 29, 2019. Wilde also produced and starred in the drama Meadowland. Both films garnered Wilde critical acclaim for her emotionally charged performances. Her additional past film credits include her, Rush, and Drinking Buddies. In 2017, Wilde made her Broadway debut in 1984, starring alongside Tom Sturridge and Reed Birney. On the television side, Wilde has stared in the rock ‘n’ roll drama Vinyl and the hit medical drama House. Along with her work in front of the camera, Wilde has served as executive producer on Drinking Buddies, as well as several documentary films including Fear Us Women, and the Oscar-nominated Body Team 12. She has directed videos for the Red Hot Chili Peppers and Edward Sharpe and the Magnetic Zero’s. Wilde co-founded the philanthropic company, Conscious Commerce, was recently honored by Save the Children and is a board member of Artists for Peace and Justice and the ACLU of Southern California.


(photo by Sam Jones)

About CinemaCon

CinemaCon will attract upwards of 6,000 motion picture professionals from all facets of the industry--from exhibition and distribution, to the equipment and concession areas--all on hand to celebrate the moviegoing experience and the cinema industry. From exclusive Hollywood product presentations highlighting a slate of upcoming films, to must-see premiere feature screenings, to the biggest stars, producers and directors, CinemaCon will help jumpstart the excitement and buzz that surrounds the summer season at the box office.

Additional information on CinemaCon, the Official Convention of NATO, can be found at www.cinemacon.com.

About NATO

The National Association of Theatre Owners (NATO) is the largest exhibition trade organization in the world, representing more than 33,393 movie screens in all 50 states, and additional cinemas in 94 countries worldwide. NATO’s membership includes the largest cinema chains in the world and hundreds of independent theatre owners, too.


The Movie Report wants to attend all your film special events! Please send any and all invitations to this address. Thanks!

Friday, February 8, 2019

The Movie Report #1006, February 8, 2019

The Movie Report

#1006, February 8, 2019


MOVIES:

  • Cold Pursuit ***
  • Ek Ladki Ko Dekha Toh Aisa Laga (How I Felt When I Saw That Girl) ***
  • The Least of These: The Graham Staines Story **
  • The LEGO Movie 2: The Second Part ***
  • My Online Valentine ***
  • The Prodigy ** 1/2
  • A Violent Man *** 1/2 premiere video with Thomas Q. Jones, Matthew Berkowitz
  • What Men Want *** premiere video with Taraji P. Henson, Will Packer, Adam Shankman

The Movie Report wants to attend and cover all your film events and press junkets! Please send any and all invitations to this address. Thanks!

Thursday, February 7, 2019

F3PR: Helen Moss to receive 2019 CinemaCon Passepartout Award

Film Flam Flummox

PRESS RELEASE

CinemaCon

PARAMOUNT PICTURES’ HELEN MOSS TO RECEIVE
2019 CINEMACON® PASSEPARTOUT AWARD

CinemaCon® to take place April 1-4, 2019

WASHINGTON D.C. (February 7, 2019) – Helen Moss, Senior Vice President of International Distribution, Paramount Pictures will receive this year’s “Passepartout Award,” Mitch Neuhauser, Managing Director of CinemaCon announced today. The CinemaCon “Passepartout Award” is presented annually to an industry executive who demonstrates dedication and commitment to the international marketplace. CinemaCon, the official convention of NATO, will be held April 1-4, 2019 at Caesars Palace in Las Vegas. Moss will be presented with this honor at the International Day Luncheon taking place on Monday, April 1, 2019.

“With over a decade of experience in the international film business Helen Moss has continuously shown her dedication to the international film community through her work with both exhibition and distribution,” noted Neuhauser. “We are honored that we are able to present her with this year’s ‘Passepartout Award.’”

Moss began her career a decade ago at Paramount Pictures as Vice President of Film Planning in London. In 2012, she played a key role in the successful transition of the International head office in Los Angeles. She took on her current position as Senior Vice President in 2014. In her role, Moss manages the theatrical releases, planning, and execution of all Paramount titles in over 65 markets worldwide. She oversees box office reporting, strategic dating, competitive analysis, financial review and integrated release planning. Her accomplishments at Paramount include the releases of the Mission: Impossible, Transformers, and Star Trek franchises. She has also worked on a number of DreamWorks Animation titles distributed by Paramount, including Kung Fu Panda, Shrek Forever After, and How To Train Your Dragon, as well as the critically acclaimed releases The Big Short, and A Quiet Place.

Prior to joining Paramount Pictures, Moss managed European finance and planning for Expedia.com, in addition to roles at Intercontinental Hotels Group and Oriflame International. She is a guest speaker at the University of Southern California on fundamentals of the international theatrical business and is also a qualified accountant.

About CinemaCon

CinemaCon will attract upwards of 6,000 motion picture professionals from all facets of the industry--from exhibition and distribution, to the equipment and concession areas--all on hand to celebrate the moviegoing experience and the cinema industry. From exclusive Hollywood product presentations highlighting a slate of upcoming films, to must-see premiere feature screenings, to the biggest stars, producers and directors, CinemaCon will help jumpstart the excitement and buzz that surrounds the summer season at the box office.

Additional information on CinemaCon, the Official Convention of NATO, can be found at www.cinemacon.com.

About NATO

The National Association of Theatre Owners (NATO) is the largest exhibition trade organization in the world, representing more than 33,393 movie screens in all 50 states, and additional cinemas in 94 countries worldwide. NATO’s membership includes the largest cinema chains in the world and hundreds of independent theatre owners, too.


The Movie Report wants to attend all your film special events! Please send any and all invitations to this address. Thanks!

Friday, February 1, 2019

The Movie Report #1005, February 1, 2019

The Movie Report

#1005, February 1, 2019


MOVIES:

  • Arctic ***
  • Manikarnika: The Queen of Jhansi ** 1/2
  • Miss Bala * 1/2
  • Sarvam Thaala Mayam (Rhythm Everywhere) ***
  • Velvet Buzzsaw *** Q&A video with Dan Gilroy

The Movie Report wants to attend and cover all your film events and press junkets! Please send any and all invitations to this address. Thanks!

Thursday, January 31, 2019

F3Stage Review: Hello, Betty! The legendary Buckley delights as Dolly

Film Flam Flummox


With Broadway managing to achieve a certain sense of contemporary zeitgeist hipness--and, thus, mainstream media attention--in recent years with a stream of younger-appealing successes such as Dear Evan Hansen, Mean Girls, the soon-to-transfer Off-Broadway cult sensation Be More Chill, and a certain little slice of American political (and, now, theatrical) history known as Hamilton, the knee-jerk impulse, particularly for the new audiences these shows rope in, is to reject the shows of yesteryear as being simple, square, and antiquated. But certain shows become enduring classics for a reason, and that one usually does indeed boil down to a simplicity that's been lost over time: that of the laser-focused aim to provide theatergoers with pure, unadulterated joy. And that the current national tour of Hello, Dolly!, now running at the Pantages Theatre in Hollywood, definitely serves up by the gallon.

The touring version of Jerry Zaks's 2017 Tony-winning Broadway revival doesn't boast what was the main drawing card for that production's 16-month run: Bette Midler, and her equally Big Deal replacement, Bernadette Peters. This isn't to say that the tour skimps out on star power, however, for credit goes to the producers for snagging another legendary leading lady for the road, Betty Buckley. One need not be familiar with her long list of credits and accolades to know, from her casually grand entrance from behind a newspaper, one is in the presence of an all-caps STAR. In essaying the role of Dolly Gallagher Levi, resourceful, resilient, all-purpose Jill of All Trades widow in 19th century New York, Buckley is in fine voice tackling Jerry Herman's timeless tunes, but more crucially she exudes the boundless charisma and charm that is essential for the character and the show as a whole. Dolly's main hustle as a matchmaker entails meddling and manipulation, such as the convoluted machinations she employs to get a trio of financially strapped young paramours, artist Ambrose (Garett Hawe) and store clerks Cornelius (Nic Rouleau) and Barnaby (Jess LeProtto), to fully win over their respective true loves, frequently crying Ermengarde (Morgan Kirner), widowed hat store owner Irene (Analisa Leaming), and her assistant Minnie (Kristen Hahn). While the farcical shenanigans that ensue in Michael Stewart's book are preposterous by design, to lend even the most basic dramatic credibility to the trust they place in Dolly, it takes a presence of undeniable, irresistibly welcoming warmth such as Buckley's.

And that warmth is all the more critical to the entire piece, for Dolly's plotting is also for a major selfish concern on top of those selfless ones. Intertwined in and her ultimate end to all of these means is her ultimate master plan to marry Horace Vandergelder (Lewis J. Stadlen), the grumpy old widower who owns the feed and hay shop at which Cornelius and Barnaby work, not to mention Ermengarde's uncle and the person Dolly is supposedly matching with Irene. As mentioned, Buckley's effortlessly ingratiating presence and demeanor never keeps Dolly's best-intentioned heart of gold out of mind even through all the antics, but not for nothing did Buckley win a Tony Award by wringing torrents of tears through a single song as Grizabella in the original Broadway production of Andrew Lloyd Webber's Cats. Through the most minimal and understated inflections and rhythms of her line readings, Buckley brings a lifetime of emotional dimension to Dolly, making her motivations not only more relatable but lending them a certain gravitas. When Dolly occasionally addresses the spirit of her dearly departed husband Ephraim, Buckley is able to turn on a dime what is sometimes used as a comic device into deep dive character moments that are sincerely affecting and sell the story's most universal of themes: that of one's eternal hunger and need, even with many years behind and the world ready to count one out, to simply feel and live.

Buckley is able to just as easily shift in the other direction, and make no mistake, for all the heartfelt sentiment and poignant emotion infused in the piece, it is overall just a fun time--and a major reason for that is Zaks completely embracing the yesteryear style of the piece. Santo Loquasto's opulent scenic and costume design is a throwback to go-for-broke showmanship of Broadway's heyday, their vibrant colors matching the infectiously sunny disposition of the entire production and the boundless energy of all of the actors on stage. That last statement most definitely includes the large ensemble of ensemble players, particularly the dancers who impressively execute William Carlyle's elaborate, intricate, and even physics-challenging--as in extended "The Waiters' Gallop" set piece that features props in various, precarious positions of balance--that, in tandem with Herman's ever-hummable score, drive the show's numerous showstopping numbers.

No number is more showstopping than, of course, the title one. While the core cast members are all very impressive, in fine voice, comic timing, and having crackling chemistry with each other, when Buckley makes the most definitive of diva entrances, resplendent in the iconic Dolly red dress and feathered headpiece, it's just as much a tribute to its star as it is the character. For all the terrific work she does throughout the show--beautifully singing the songs, acting the hell out of the comedy and the drama, and bringing the character to vivid life--the manner in which she can instantly hold a housefull audience in a cavernous venue in her helpless thrall by simply strutting down a staircase while flashing a tractor beam of a smile is the true testament to what a timeless talent and treasure she is. Hello, Betty.


Betty Buckley as Dolly Gallagher Levi
(photo by Julieta Cervantes)

Hello, Dolly! is now playing at the Pantages Theatre in Hollywood in a limited engagement through Sunday, February 17; the First National Tour then continues on to other cities throughout the year.

Buy the Hello, Dolly! 2017 Revival Broadway Cast album CD here.
Buy the Hello, Dolly! Original Broadway Cast album CD here.
Buy the Hello, Dolly! 1967 Broadway Cast album CD here.
Buy the Hello, Dolly! 1994 Revival Broadway Cast album CD here.

(Special thanks to Hollywood Pantages Theatre)


Original Hello, Dolly! star Carol Channing's
Hollywood Walk of Fame star, right outside the
Pantages Theatre, on opening night
(photo by Michael Dequina)

The Movie Report wants to attend and cover all your live stage productions! Please send any and all invitations to this address. Thanks!

Tuesday, January 29, 2019

F3PR: John D. Loeks to receive 2019 NATO Marquee Award at CinemaCon

Film Flam Flummox

PRESS RELEASE


CELEBRATION CINEMA'S JOHN D. LOEKS TO RECEIVE
2019 NATO MARQUEE AWARD AT CINEMACON®

CinemaCon® to take place April 1-4, 2019

WASHINGTON D.C. (January 29, 2019) – The National Association of Theatre Owners (NATO) will honor John D. Loeks, Chairman of Studio C, with the 2019 NATO Marquee Award during this year’s CinemaCon. It was announced today by Mitch Neuhauser, Managing Director of CinemaCon. CinemaCon, the official convention of NATO, will be held April 1-4, 2019 at Caesars Palace in Las Vegas. Mr. Loeks is being recognized by NATO for his unequalled dedication, commitment and service to the motion picture theater industry. He will receive his industry tribute as part of CinemaCon's "State of the Industry: Past, Present and Future" presentation on Tuesday morning, April 2.

“John Loeks’ role in the exhibition industry defines leadership. This humble gentleman from Michigan had the vision to create the Global Cinema Federation and unite exhibitors around the world, while never forgetting the role of the independent theater operators,” said John Fithian, President and CEO of NATO. “All of us at NATO could not be more grateful for this wonderful man’s leadership.”

After initially practicing law for 20 years, John Loeks joined the family business, Loeks Theatres, in 1990. In 1997, he founded Celebration Cinema, building six megaplexes and purchasing two more. Loeks Theatres currently has 11 theaters operating in Michigan, and their 12th megaplex is set to open in the heart of downtown Grand Rapids, Michigan. The building will serve as a mixed use complex of retail, housing, and parking, with a music venue, office space and a nine-screen theater. Loeks has been a member of the board of the National Association of Theatre Owners since 1992. In that time, he has served in many different capacities including NATO Chairman from 2015-2017.

In addition to his work in the cinema, Loeks has served as owner and president of ShowSpan, Inc., a company that produces 13 major annual consumer shows in Michigan and Wisconsin. He is the founder and former chairman of AuSable Institute of Environmental Studies, which provides a wide variety of environmental science courses to students from nearly 60 participating colleges. In 2009, he founded Schools for Sierra Leone, a foundation that builds and supports schools in Sierra Leone, West Africa.

About CinemaCon

CinemaCon will attract upwards of 6,000 motion picture professionals from all facets of the industry--from exhibition and distribution, to the equipment and concession areas--all on hand to celebrate the moviegoing experience and the cinema industry. From exclusive Hollywood product presentations highlighting a slate of upcoming films, to must-see premiere feature screenings, to the biggest stars, producers and directors, CinemaCon will help jumpstart the excitement and buzz that surrounds the summer season at the box office.

Additional information on CinemaCon, the Official Convention of NATO, can be found at www.cinemacon.com.

About NATO

The National Association of Theatre Owners (NATO) is the largest exhibition trade organization in the world, representing more than 33,393 movie screens in all 50 states, and additional cinemas in 94 countries worldwide. NATO’s membership includes the largest cinema chains in the world and hundreds of independent theatre owners, too.


The Movie Report wants to attend all your film special events! Please send any and all invitations to this address. Thanks!

Friday, January 25, 2019

The Movie Report #1004, January 25, 2019

The Movie Report

#1004, January 25, 2019


MOVIES:

  • Antiquities ** 1/2
  • Canal Street ** 1/2
  • The Kid Who Would Be King ***
  • Serenity **
  • Volcanoes: The Fires of Creation *** Q&A video with Carsten Peter

The Movie Report wants to attend and cover all your film events and press junkets! Please send any and all invitations to this address. Thanks!

Tuesday, January 22, 2019

New in Stores on DVD, Blu-ray, & Digital: January 22, 2019

The Movie Report



PLUS:
The Movie Report wants to receive all of your DVD and Blu-ray releases for review! Please send any and all announcements and press releases to this address. Thanks!

Friday, January 18, 2019

The Movie Report #1003, January 18, 2019

The Movie Report

#1003, January 18, 2019


MOVIES:

  • Glass ***
  • NTR: Kathanayakudu (NTR: The Legendary Hero) **
  • Petta ***
  • Uri: The Surgical Strike ***

The Movie Report wants to attend and cover all your film events and press junkets! Please send any and all invitations to this address. Thanks!

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