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Showing posts with label Ocean's 8. Show all posts
Showing posts with label Ocean's 8. Show all posts

Wednesday, April 25, 2018

CinemaCon 2018, Day 2: Warner Bros. presents The Big Picture

Film Flam Flummox

CinemaCon


(photo by Michael Dequina)

As mentioned in my Day 1 Sony Pictures report, some studios have distinctive and identifiable approaches to their CinemaCon presentations, and Warner Bros. is the one that takes the branding idea to its most literal, actually adopting an official name for its annual preview of the year to come, "The Big Picture." Beyond the naming, though, WB is also the studio to pull out the biggest guns as far as celebrity appearances, often trotting out close to complete casts of upcoming releases on the Colosseum at Caesars Palace stage. This year, they even one-upped themselves in that regard by having Will Arnett, one of the voice cast in and executive producer of this summer's upcoming animated feature Teen Titans Go! to the Movies, serve as the show's--or, shall I say, "The Big Picture"'s--master of ceremonies.

But before the feature presentation, so to speak, a few members of the WB executive suite took to the stage. Chairman of the Warner Bros. Motion Picture Group Toby Emmerich, who was promoted to the title just this January after a few years as the studio's President and Chief Content Officer, made his first ever appearance on the CinemaCon stage, and the most notable part of his remarks was an omission: the non-mention of once-frequent collaborator RatPac-Dune in the standard shoutout to all of the studio's production partners. Emmerich was followed by Ron Sanders, President of Worldwide Distribution and Home Entertainment; and then Jeff Goldstein, President of Domestic Distribution, the latter's comment about aiming to deliver hits throughout the entire calendar year serving as a nice set-up for the 90 minutes that followed.


Aquaman (December 21) / Shazam! (April 19, 2019) / Wonder Woman sequel (November 1, 2019): After some typically cheeky scripted patter by Arnett, WB hit the ground running with a sizzle reel touting the next installments in their DC Extended Universe superhero franchise, which took one major step forward in 2017 with the critical and popular success Wonder Woman and then another step back mere months later with the underachieving, heavily retooled Justice League. After the triumph of a solo tale and the tepid response to a (forced and rushed) team-up that what was supposed to be a culminating mega-event, despite someone saying in the featurette that they are creating a "modern DC cinematic universe," it appears the immediate focus with these next films is less the universe and instead what should have been done in the first place: concentrating on establishing characters as viable standalone entities. Of the three showcased films, the as yet-untitled Wonder Woman follow-up has not begun shooting, and so it was represented in the reel by snippets from the first film and Justice League, with talking head interview bites from returning director Patty Jenkins revealing little more than the fact that the film will be set in the 1980s. Despite being well into production, the Zachary Levi-starring Shazam!, in which he plays the title adult superhero alter ego of a young boy, got a similar treatment, with brief comments from Levi and director David F. Sandberg, the briefest clips of actual video footage, and only stills of Levi in costume.

Aquaman was also included in the reel, with comments from director James Wan and a glimpse of some concept art, but after it finished, Wan and stars Jason Momoa, Yahya Abdul Mateen II, Amber Heard, and Patrick Wilson joined Arnett live on stage to further build the hype and trade quips before unveiling the very first, albeit unfinished, footage to ever screen from the film. While the character has been an easy punching bag for years, what was shown looks to right that reputation, showing Momoa's Arthur Curry picking up where he left off in Justice League as a believably badass hero. What makes this the right film to release right now for the DCEU, however, is not so much the character than the world he inhabits, for even in rougher, unfinished FX form, the underwater Atlantis settings and designs are striking and distinctive from other recent comic book films, whether from DC or any other company. Heard's Mera, who was briefly seen in Justice League; Willem Dafoe's mentor character Vulko; and Mateen and Wilson's villainous Black Manta and Ocean Master, respectively, are briefly seen and some have a line or two in the footage, but the emphasis was clearly on selling its star, his character, and the world, and that this introductory glimpse definitely succeeded in doing.

Life of the Party (May 11): Gears then shifted to more immediate and modest releases, with Melissa McCarthy and husband/co-writer/director Ben Falcone joining Arnett to introduce a complete scene and extended trailer for their third feature film collaboration. The scene, in which McCarthy's character is in a divorce mediation, was completely stolen by ever reliable co-star Maya Rudolph playing her best friend, but the star was put into clearer and more prominent focus in what followed, tracing the character's wacky but life-reinvigorating journey when she decides to pursue her college degree--alongside her daughter--after her divorce. Like their previous homegrown efforts Tammy and The Boss, McCarthy and Falcone seem to be going for the warm fuzzies as much as they do laughs, but if the balance ends up leaning more in favor to the latter, this could be an early summer sleeper.

Ocean's 8 (June 8): The major in-person starpower that "The Big Picture" is known for was kicked-up a notch with the Ocean's Eleven/Twelve/Thirteen series spinoff, for which six of the titular octet was present: Sandra Bullock, who plays the similarly scheming sister of George Clooney's protagonist of the previous trilogy; and partners in crime Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, and Awkwafina. Even missing the other two, Rihanna and Helena Bonham Carter, the chemistry and camaraderie between the ladies was apparent on stage, and Hathaway was an inadvertent, hilarious scene stealer struggling with some less than comfortable high heel shoes as Arnett and the others chatted and carried on unaware. As for the film itself, a full scene and extended trailer was shown, and director/co-writer Gary Ross looks to have maintained the stylish, slick, and cool template Steven Soderbergh set with the preceding films as Bullock and crew stage a heist at the Met Gala, with this ensemble's fierce feminine energy, distinctive personae, and the Big Apple setting carving out a personality that stands on its own.


(photo by Michael Dequina)

Stay tuned here and on my Twitter and Instagram all week for ongoing coverage of all the goings-on at CinemaCon 2018!


(Special thanks to Warner Bros., and very special thanks to Heather Lewandoski, Corey Barger, and the entire team at Rogers & Cowan for all their helpful and generous assistance at the convention, as well as Mitch Neuhauser and the CinemaCon crew)


The Movie Report wants to attend all your film special events! Please send any and all invitations to this address. Thanks!

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Monday, April 23, 2018

CinemaCon 2018, Day 1: Checking In

Film Flam Flummox

CinemaCon


(photo by Michael Dequina)

Arriving every spring at the Caesars Palace ballroom/convention wing for CinemaCon, the official convention for the National Association of Theatre Owners brings with it, after many years of attending and covering, a certain feeling of comfort to go with that of anticipation. As with every year, the initial long escalator ride up to the main floor leads one to the big archway welcoming one to the conference. This arch has gone through various adjustments and innovations over the years dating back to the ShoWest era, but it's more or less remained the same since 2015, when a video wall-style design of conjoined LED displays was adopted. Both visually slick (any mixture of animations, videos, text, and still images can appear on the entire archway or only isolated in specific segments) and efficiently practical (no need to change out the side panels on a nightly basis to post the latest daily schedule), I don't see any reason to adjust it any further for the long-forseeable future--unless one of the tech companies decides to show off some glasses-free 3D technology.


(photo by Michael Dequina)

Similarly, the Christie-sponsored screen that sits slightly diagonally opposite the archway showcasing various trailers and Access-produced profile packages on those being honored on the convention-closing Big Screen Achievement Awards on Thursday night, has remained consistent in both screen size and projection quality the last few years.


(photo by Michael Dequina)

The "anticipation" part of arriving at the convention space comes in seeing the many posters, standees, and displays touting various upcoming film releases for the rest of year and sometimes even far beyond that line and fill the multiple floors of labyrinthine hallways. Many studios use the convention hallways as a platform to unveil a number of teaser or one-sheet posters for the very first time. This year, in what hopefully does not become a trend, there is a shocking lack of never-before-seen posters or preliminary promo mock-ups (like, for instance, this trio of Focus Features posters from last year). This isn't to say, however, that there aren't some brand new posters around, such as this year's winner of the largest hallway display, a long line-up of teasers for Lionsgate/Summit's Pepsi ad-inspired basketball comedy Uncle Drew, starring the Boston Celtics' Kyrie Irving and two of this year's Big Screen Achievement Awards honorees, Breakthrough Performer of the Year Lil Rel Howery and Female Star of Tomorrow Tiffany Haddish.


(photo by Michael Dequina)

There is, however, a clear trend in this year's hallway displays: life size (or close to it) 3D standees, all the better for convention attendees--or anyone passing through--to take social media-ready selfies.


Warner Bros.' Ocean's 8 standee
(photo by Michael Dequina)


Universal's Jurassic World: Fallen Kingdom standee
(photo by Michael Dequina)


Sony Pictures Animation's Hotel Transylvania 3: Summer Vacation standee
(photo by Michael Dequina)


Disney/Lucasfilm's Solo: A Star Wars Story standee
(photo by Michael Dequina)


Warner Bros. Animation's Teen Titans Go! to the Movies standee
(photo by Michael Dequina)


Warner Bros.' The Meg standee
(photo by Michael Dequina)


Universal's Skyscraper standee
(photo by Michael Dequina)


Universal's Night School standee
(photo by Michael Dequina)


Disney/Pixar's Incredibles 2 standee
(photo by Michael Dequina)

The escalators (all of which are fully functional this year, unlike last year) remain a prime promo spot. Getting the placement honors this year are three big franchise installments, Fox's Deadpool 2, and the Paramount pair of Mission: Impossible--Fallout and Transformers spinoff Bumblebee; Warner Bros. touting its Tuesday afternoon "The Big Picture" presentation with a catch-all push for Aquaman, Crazy Rich Asians, Fantastic Beasts: The Crimes of Grindelwald, Life of the Party, The Meg, A Star Is Born, and Teen Titans Go! to the Movies; and--in keeping with the odd shortage of new movie artwork--the Cinemark theatre chain.


(photos by Michael Dequina)

As usual, a certain stretch of the hallways is devoted to displaying various autographed posters and memorabilia items up for silent auction to benefit Variety, the Children's Charity. Sharing its space this is a special recreation of the famous Mister Rogers' Neighborhood doorway set, presented by Focus Features to promote Morgan Neville's Sundance-celebrated Fred Rogers documentary, Won't You Be My Neighbor?


(photo by Michael Dequina)

Stay tuned here and on my Twitter and Instagram all week for ongoing coverage of all the goings-on at CinemaCon 2018!


(Very special thanks to Heather Lewandoski, Corey Barger, and the entire team at Rogers & Cowan for all their helpful and generous assistance at the convention, as well as Mitch Neuhauser and the CinemaCon crew)


The Movie Report wants to attend all your film special events! Please send any and all invitations to this address. Thanks!

Instagram: @twotrey23

Twitter: @twotrey23