And now, the audiovisual overview of the fourth and final day's events at CinemaCon 2023: the Paramount Pictures presentation, the "Legend of Cinema" lunch panel with Martin Scorsese and surprise guest Leonardo DiCaprio, the Lionsgate presentation, and the Big Screen Achievement Awards and afterparty.
(Very special thanks to Heather Lewandoski and the CinemaCon PR team for all their helpful and generous assistance at the convention, as well as Mitch Neuhauser and the CinemaCon crew and John Fithian, Jackie Brenneman, and the National Association of Theatre Owners)
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While the final party of CinemaCon 2023 continues on, my time at this year's convention has come to an end. Here is a recap of my live updates on Instagram throughout the day today.
The in-depth reports on all of the final CinemaCon 2023 events are, as usual, on the way.
(Very special thanks to Heather Lewandoski and the CinemaCon PR team for all their helpful and generous assistance at the convention, as well as Mitch Neuhauser and the CinemaCon crew and John Fithian, Jackie Brenneman, and the National Association of Theatre Owners)
The Movie Report wants to attend all your film special events! Please send any and all invitations to this address. Thanks!
Please help support this site through a generous donation
via Buy a Me a Coffee!
Ever since I witnessed the unveiling of first tantalizing tastes of Baz Luhrmann's The Great Gatsby at CinemaCon 2012 last April, I have been eagerly anticipating the mad Aussie's 3D take on the F. Scott Fitzgerald novel--anticipation that only grew when Warner Bros. pushed back the release date from an awards-baiting Holiday 2012 berth to an early summer 2013 release date. Usually such a major release shift denotes some sort of trouble, but moving a period romance from a more drama-friendly season to ultracompetitive summer suggests that Warner Bros. sees the film as one that could go over with the masses--which is what happened when Fox did a nearly identical rescheduling move a dozen years earlier with Luhrmann's (now-widely beloved) Moulin Rouge!. Judging by the newest and final official trailer for the film before the May 10 opening, I can see this potentially being the date movie for the season. As with nearly all late campaign trailers, this new one is more conventionally dialogue- and plot-heavy than all previous teasers and spots for the film, but 45 seconds in, a more familiarly, distinctly Luhrmann vibe takes over: clever, unconventional, yet pitch-perfect music choices playing against grandiose costumes and production design that serves as a backdrop to unabashedly outsized, often operatic emotion, best exemplified by the electric, soulful looks of longing exchanged between a truly radiant Carey Mulligan as Daisy and Leonardo DiCaprio comfortably slipping back into his long-neglected romantic lead shoes as the title character. If there's any disappointment with this particular spot, it's the absence of Indian screen legend Amitabh Bachchan (in, shockingly as it may seem, his Hollywood debut), who was prominently featured in previous trailers. But for the home stretch of the campaign, it is a wise choice to push the romantic hook and push it hard--and I am not ashamed to admit that my inner sap is already swooning. But we shall see if the finished product is akin to a romantic evergreen like Moulin Rouge! or a gorgeous but only sporadically effective and affecting Australia when The Great Gatsby opens in cinemas everywhere on Friday, May 10.
